在人世的第一个年头过后,中国电影开始显示走出低谷、逐渐爬升的态势,而02年岁末的《英雄》把这一走向衬托得轰轰烈烈,令人惊讶不已。《英雄》的市场“英雄”风光和骄人的票房收获,掀开了近年少有的电影得意霸气帘子,也得到前所未有的叫座与叫好反差的反应局面,从中,我们至少可以看到中国电影已经进入文化分流明显、观众多元认识形成、人们观念更加开放的自由的无拘束的年代。也许,这是远比一部自身未必能够独立拯救中国电影的特定背景影片更为有意义的。在众说纷纭的“英雄”评判中,绝然的批判、形式内涵分割的分析、各打五十大版的认知都不乏其人,但应当承认,只有《英雄》这样宏阔制作的影片才有资格承受如此多样的认识,也只有《英雄》才能引起多层面观众的评头品足。毋庸置疑,《英雄》至少显示了中国电影难得之引人注目的峰颠状态,比起众多的产之默默、投 After the first year of his life, Chinese films began to show signs of getting out of the bottom and gradually climbing up. It was astonishing that the “hero” of the end of 2002 set off this trend with vigor and vitality. “Heroes” market “Heroes” and impressive box office harvest, opened in recent years the rare movie proud domineering curtains, also received an unprecedented reputation and applause response, we can at least see that Chinese movies have been Into the cultural diversion obvious, the audience formed a variety of understanding, people’s ideas more open free and unconstrained era. Perhaps this is far more meaningful than a specific background film that itself may not be able to save Chinese movies independently. In the controversial “heroic” judgments, the critical critique, the analysis of the formal connotation, and the recognition of each of the 50 major editions are no shortage of people. However, it should be acknowledged that only such grand films as “heroes” Eligibility to withstand such a wide range of awareness, only the “hero” can cause multi-level audience’s comments. Undoubtedly, “Heroes” showed at least the remarkable peak status of Chinese films. Compared with the silent production of many films,