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对于影片《珍珍的发屋》,评论已经不少。它所以获得广泛的赞扬,有着多种多样的理由。如选取了新鲜的个体户题材;触及到行业竞争这一敏感而又深刻的新课题;描写了在现实生活与竞争中蒙受压力与创伤的青年,如何燃烧起求真求善求美的烈焰,等等。但是,仅仅提出这些还不够,因为还没有涉及影片艺术感染力的形成途径。 在我看来,《发屋》之所以能拍得生动活泼、情趣盎然、深沉蕴藉、雅俗共赏,很大程度上得力于创作者们追求的是生活的戏剧,而不是戏剧的生活。
For the movie “Jane’s hair house,” comments have been quite a few. It has won wide acclaim for a wide variety of reasons. Such as the selection of fresh self-employed theme; touches on the industry competition is a sensitive and profound new topics; described in real life and competition in the youth who have been under pressure and trauma, how to burn the real flames of seeking perfection, and so on . However, merely presenting these is not enough, as there is no way of shaping the artistic appeal of the film. In my opinion, the reason why “hair house” can be vividly lively, full of taste, profound implication, refined taste, largely due to the creators who are pursuing the drama of life, rather than theater life.