在昏思沉沉的暗夜听爵士乐,就像一杯啤酒沸腾在胸口,偶然,像一种没有道理的情绪,纠缠着那些琴音在午夜的虚空中坠落。塞缪尔·贝克特在其著名的《普鲁斯特》里剖析,“音乐就是印象本身,音乐对这个充满手段的世界毫不在意……当然也不受目的论的假设的影响。音乐的这个基本性能已被听者曲解,因为听者作为一个不纯的主体,硬要赋予印象一个他认为是合适的主体。” 请注意“印象本身”与“不纯的主体”这两个关键词,毋须赞言的是,贝克特试图架空音乐 Listening to jazz in the gloomy night, like a glass of beer boiled in the chest, by chance, like an unjustified emotion, entangled in the sound of those crashes in midnight void. Samuel Beckett in his famous “Proust” in the analysis, “Music is the impression itself, music for this full of means of the world do not care ... ... of course, is not subject to the assumption of teleology. This basic performance has been misinterpreted by the listener because the listener, as an impure subject, insists on impressing on what he considers to be the appropriate subject. ”Notice the two terms“ impressions ”and“ impure subjects ” No need to praise that Beckett tried to overhead music