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日本电影《望乡》,取材于山崎朋子~1的社会性非文学类作品《山打根八番娼馆》。影片反映了自幕府末期(1867)至昭和初期(1926),日本政府为了积累资金发展资本主义,曾将输出女性以卖春为赚取外汇的一个手段。而一些贫苦人家的女子正是这一手段的受害者,无论是精神抑或肉体都留下了无法愈合的创伤。研究女性史的圭子出于对历史的负责,前往曾是南洋姐阿崎婆的故乡调查,通过阿崎婆终于忍不住地声声泪,字字血,从而更深层次地揭示了日本近代女性悲惨的命运。
The Japanese film “Hometown” is based on the social non-literary piece “Sandakan Eight Ban Prostitutes” based on Tomoko Yamazaki ~ 1. The film reflects the end of the shogunate (1867) to early Showa (1926), the Japanese government in order to accumulate funds for the development of capitalism, women have been exported to sell spring as a means to earn foreign exchange. However, some poor people’s women are just the victims of this measure, leaving untreatable wounds both in spirit and in the body. The study of the history of women’s gui is out of history, responsible for the past was Nanyang sister Azaki Po’s hometown survey, finally unable to help Ms Amasaki burst into tears, the word blood, which reveals a deeper level of Japanese miserable modern women fate.