长期以来,人们总是习惯于从戏剧的角度来谈电影,观赏电影。电影剧作家也惯用戏剧构思来编写电影剧本。演员从事影片的表演起初也是源于戏剧表演。早期演员多是来自戏剧舞台,所以当时的电影题材和内容大多源于中国戏曲和文明戏。有声电影与无声电影的主要区别就在于声音。没有声音,演员就需要更多的动作和夸张的表情来表达影片的内容,难度很大,对演员的要求很高。从而也就局限了表达的深度或者说观众的大众化程度。在电影表演艺术形成过程中,从戏剧中吸取了不少有益的东西。但是这并不代表电影艺术将继续在戏剧的大舞台上而不走向荧屏,呈现出艺术的综合性。电影表演艺术应该逐渐从戏剧舞台模式化走向生活化使演员的表演更趋于自然。 People have long been accustomed to talking about movies and watching movies from a dramatic perspective. Movie dramatists also used the concept of theater to write screenplays. The actor’s performance in the film was originally from drama. Most of the early actors come from the drama stage, so most of the movie themes and content originated from Chinese opera and civilized drama. The main difference between a sound movie and a silent movie lies in the sound. Without sound, the actor needs more action and exaggerated expression to express the content of the film, it is very difficult, demanding of actors. Thus limiting the depth of expression or the popularity of the audience. In the process of the formation of movie performance art, it draws a lot of useful things from the drama. However, this does not mean that film art will continue on the grand stage of the drama without going to the screen, showing a comprehensive art. Film performance art should gradually move from drama stage to life to make the performers’ performances more natural.