商业电影吸引观众不外乎两种方式:或刺激感官,或麻醉感官。前者包括大量奇观化电影;后者则依靠制造梦幻。东方化的奇观的确曾经成就了一批中国电影人,但巨额的投资成本和越来越高的技术要求注定奇观化在今后很长时间内只能是好莱坞的专利;另一方面,电影机制与梦的运作机制的同构性已是不争之实,好莱坞俘获各国观众的最有力的武器便是一个个精心设计的能使观众得到或替代性满足或痛 Commercial movie to attract the audience no more than two ways: either to stimulate the senses, or to sensory organs. The former includes a large number of spectacle movies; the latter rely on the manufacture of fantasy. The wonders of orientalization indeed made a success of a group of Chinese filmmakers. However, the huge investment cost and ever-increasing technological requirements are doomed to be spectacular for only a long time to be a Hollywood patent. On the other hand, The isomorphism of the dream’s operating mechanism is an indisputable fact. Hollywood’s most powerful weapon to capture spectators from all over the world is one that has been carefully designed to satisfy or painfully satisfy the audience