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任何一种文化的产生和繁荣,都与当时社会的生产力、生产关系息息相关。长久以来中国画作为传统文化重要代表之一。它在艺术创作上,反映了中华民族的意识和审美情趣,体现了古人对自然、社会及与之相关联的政治、哲学、宗教、道德、文艺等方面的认识。而清朝初期涌先出大量的文艺经典,这与当时的社会思潮、政治环境有着密切的关系。尤其是虞山画派的诞生,深受当下社会背景影响,本文就此作出详细的分析,为中国画在新环境下的发展给予启示。
The emergence and prosperity of any kind of culture are closely related to the productive forces and the relations of production in society at that time. Chinese painting has long been one of the most important representatives of traditional culture. It reflects the sense of the Chinese nation and aesthetic taste in artistic creation, and reflects the ancients’ understanding of nature, society and the related political, philosophical, religious, moral and literary aspects. In the early Qing dynasty, a large number of literary classics first surged out, which was closely related to the current social ideological and political environment. In particular, the birth of Yushan School is deeply influenced by the current social background. This article makes a detailed analysis on this issue and gives enlightenment for the development of Chinese painting in the new environment.