“对抗、毁灭、崇高”是西方悲剧应具备的主要因素。西方悲剧人物同时还必须具备一定的叛逆思想、一意孤行的执著精神、孤独无助的悲凉感。《俄狄普斯》、《哈姆雷特》等震振人心的伟大悲剧,切实地体现了西方戏剧理论的悲剧定义。但若以此定义来观照中国古典戏曲悲剧,无论是窦娥,还是“赵五娘”,以及“杜丽娘”等剧目及人物,都很难契合。偶然发现京剧《挑华车》中的高宠,恰恰符合西方悲剧的理论定义,高宠这个人物的发展道路与西方悲剧的三要素完全吻合。一意孤行的叛逆性格;面对死亡,在孤独无助中,毅然决然走向死亡;从而,崇高之感油然而生 “Confrontation, destruction, sublime” are the main factors that the western tragedy should have. At the same time, western tragedy characters must also possess certain rebellious ideas, unyielding dedication, sense of sadness and loneliness. The magnificent tragedies such as “Oedipus” and “Hamlet” truly embody the tragedy of western theater theory. However, if this definition is used to reflect on the tragedies of Chinese classical drama, it is very difficult to meet the repertoire and characters such as Dou E or Zhao Wu Niang and Du Li Niang. Occasionally found in Peking Opera “pick the car” in high, just in line with the theoretical definition of the Western tragedy, the high growth of the character of the development of the road and the Western elements of the three tragedies exactly. Deliberately rebellious personality; in the face of death, in solitary helplessness, resolutely decided to die; thus, sublime sense arises spontaneously