写作《维纳新,你在哪里?》(以下简称《维》),我经历了这样一个过程:体验——思考——表现。《维》所写的生活氛围是真实的。我的家乡是一个偏僻的小山村,落后得令人难以置信。去年暑假,喜欢涂涂画画的我从学校里带回一座维纳斯小石膏像,想不到竟引起了一场风波。面对父亲的责骂,我抱怨、气愤!这原始的情感冲动,是促使我写作《维》的最初因素。可以说,假如没有这种情感的波动,没有这种切身的体验,《维》是不可能凭空出世的。 Writing “Wena New, Where are you?” (hereinafter referred to as “dimensional”), I experienced such a process: experience - thinking - performance. The atmosphere of life written in “Dimensions” is real. My hometown is a remote, small mountain village that is incredibly backward. During the summer vacation last year, I liked painting and painting. I brought back a small plaster statue of Venus from the school. I didn’t think it caused a disturbance. In the face of my father’s scolding, I complained and was angry! This original emotional impulse was the initial factor that prompted me to write “Dimensions”. It can be said that if there is no such fluctuation of emotion, without this kind of personal experience, it is impossible for “dimensionality” to be born out of thin air.