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小说《活着》是余华转型期的重要作品,作者用朴实无华的文字探寻底层民众的生存真相,反思生存的意义,自该作品问世以来,就被评论界反复言说,被赋予了种种解读的可能性,本文试从悲剧的审美角度出发,探索作品中所蕴含的另一种可能性。
The novel Living is an important work in Yu Hua’s transitional period. The author uses plain text to explore the truth of the subsistence people and reflect on the meaning of existence. Since his publication, the author has been repeatedly said by the critics that various interpretations are possible This article attempts to explore another possibility implied in the works from the aesthetic point of view of tragedy.