序言书法,作为一种极具中国文化气质类型的民族艺术形式,它本身所承载的文化因素因为应用的退场而渐至浇漓。随之而来的便是其视觉意义的过分突显与强化。它所带来的影响便是远离了涵融大雅的“书道”传统,开启了以视觉体验为核心的“艺术”先河。确切地说,这是舍本逐末的背道而驰。其实,不仅仅是书法,对于其他门类的传统艺术而言,几乎都面临着同样的问题。毫无疑问,在中国优秀传统文化中,以汉字为载体的书法最具有中国特色,也最能 Preface calligraphy, as a very Chinese cultural temperament type of national art form, its own cultural factors carried by the application of exit gradually dripping. What followed was the over-emphasis and enhancement of its visual significance. The impact it brings is far away from the traditional “Bookstore” which is full of meaning and richness, opening the “Art ” precedent with the visual experience as the core. To be exact, this runs counter to the end. In fact, not only calligraphy but also almost all face the same problems with the other categories of traditional arts. There is no doubt that in Chinese excellent traditional culture, calligraphy bearing the Chinese characters most has Chinese characteristics and is also the most capable