《红旗谱》在革命叙事的显性话语背后实际上蕴含了丰富的家族文化内涵。作品不只是在叙事结构上呈现出家族冲突与阶级斗争的双重变奏,而且在人物塑造方面表露出家族伦理与阶级情感的双重取向。传统文化心理一方面拓展了作品的表现空间,但另一方面也导致了文本结构上的裂痕。 The “red flag” in fact behind the explicit discourse of revolutionary narrative contains rich family culture connotation. His works not only show the double variation of clan conflict and class struggle in the narrative structure, but also show the dual orientation of family ethics and class emotion in the figure building. On the one hand, the traditional cultural psychology expands the performance space of the works, but on the other hand, it leads to the structural cracks in the texts.