“抽象美是形式美的核心,人们对形式美和抽象美的喜爱是本能的。”吴冠中先生认为写实已经不足以表达人们在这个时代的情感需要,而形式更适合这个时代的情绪需要。中国画和西方油画的的确确有一个感性和理性上的差异,油画的写实用笔会保持一个理性的范畴,而国画的表现更有一个感性的表达。而形式美自然就成了理想与自然相融合的最好媒介,既体现中国式的审美思想,又能发挥理性的绘画态度,体现在作品中深厚的情感。 “Abstract beauty is the core of formal beauty, and people’s instinct for the beauty of formal beauty and abstract beauty.” "Wu Guanzhong believes that realistic writing is no longer enough to express the emotional needs of people in this era, and the form is more suited to the emotional needs of the present age. Chinese painting and Western painting do have a perceptual and rational difference. The practical writing brush maintains a rational category while the traditional Chinese painting has a more emotional expression. However, formal beauty naturally becomes the best medium for the integration of ideal and nature. It not only embodies Chinese-style aesthetic thoughts but also displays rational painting attitude, which is reflected in the profound emotion in the works.