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上世纪50年代末狭隘的“电影图书馆”放映室内,当戈达尔、特吕弗、夏布罗尔等人终日蹲守,如饥似渴地吞咽着电影前辈们的作品时,隐约察觉到一个时代的大门正在向他们打开。即便如此,他们也不可能预料,这股沸沸扬扬勃兴而起的新浪潮,将最终成为一股彪炳电影史册的力量,数百名藉藉无名的青涩电影人,肩负着电影梦想上路,亲自改写了电影历史的走向。“法国新浪潮运动”的光晕还照亮了整个70年代的乌托邦现实主义,它走出法国,波及德、日、英、美诸国的新电影运动。甚至在50年后的今天,我们在当代导演的作品中,仍能隐约感受到当年这场运动的余温,听到当年轰隆的回响。
In the late 1950s, when the film libraries in the narrow “movie library” screening room, Gord God, Truffaut, Xia Broll and others all day squatting, hungrily hungry movie predecessors works, vaguely aware of a time The door is opening to them. Even so, they can not expect this new wave of ups and downs that will eventually emerge as a powerful force in the annals of the history of the movie. Hundreds of unscrupulous, indecisive moviegoers are shouldering the dream of a movie and personally rewriting The movie history. The Halo of France's New Wave Movement also illuminated Utopian realism throughout the 1970s. It came out of France and touched upon the new film movement in Germany, Japan, Britain and the United States. Even today, 50 years later, in the works of contemporary directors, we can still vaguely feel the warmth of this year's movement and hear the bang echoed at that time.