语言游戏说已经成为了黑色喜剧文学的代名词,随着语言学理论在文学批评中的运用,越来越多的评论者认为同一文本只不过是多种声音的汇合,即多种语言的一种结晶,甚至认为没有独立语言之外的现实。所谓语言游戏,就是作家对否性语言、歧义语言、矛盾性语言、悖论式语言等的运用,这与黑色喜剧文学无逻辑和非理性的艺术形式完全吻合。本文就将以此为切入点,主要通过对黑色幽默小说的解读,来分析语言游戏说视域下的美国黑色喜剧文学。 Language games have become synonymous with black comedy literature. With the application of linguistic theory in literary criticism, more and more commentators think that the same text is merely a combination of multiple sounds, ie, a multi-lingual Crystallization, even think there is no independent reality outside the language. The so-called language games are the author’s use of no language, ambiguous language, paradoxical language and paradoxical language, which is completely consistent with the non-logical and irrational art form of black comedy literature. This article will take this as an entry point, mainly through the interpretation of black humor novels to analyze the American black comedy literature under the perspective of language games.