“文、武、昆、乱不挡”这句话,是过去对一个优秀戏曲演员的评浯。应该说,这句评语是有一定的道理的,因为“戏”只有通过演员才能与观众见面,才能把主题思想传达给观众;演员只有通过表演技巧才能把角色的思想感情表现出来。我们的戏曲传统技巧,是我们的前辈老艺人不断的深入生活,观察生活,把生活素材加以提炼,加以夸大与美化,在舞台上经过千锤百炼逐渐丰富而成的。但是,仅仅学习了这种技巧,还是不行的,我们今天对一个戏曲演员的要求,首先是要他们有革命的人生观,要他们有马克思主义的文艺观点,我们不但要学习技巧、掌握技巧,还必须用正确的观点来理解生活,掌握技巧的生活根据,才能更好地用技巧来服务于思想内容,才能用技巧正确地表现出角色的思想感情。若没有无产阶级的观点, “Wen, Wu, Kun, indiscriminate” This sentence is a good actor in the past, a judge of opera. It should be said that the comment is a certain truth, because “opera” can communicate the theme to the audience only through the actress to meet with the audience; the actor can show the character’s thoughts and feelings only through acting skills. Our traditional opera techniques are the constant experience of our veteran artists in life, observation of life, refinement of living materials, exaggeration and beautification, and enrichment on the stage. However, it is still impossible to learn such a skill merely by studying it. The requirements we have of today for a drama actor are, first of all, asking them to have a revolutionary outlook on life and asking them to have a Marxist view of literature and art. We should not only learn skills, master skills, Must also use the correct point of view to understand life, to grasp the basis of life skills, to better use of skills to serve the ideological content, can the skills correctly demonstrated the role of the ideological feelings. Without a proletarian point of view,