还存在有一种诉诸于节奏的“诗性语言”的无限可能性。在这当中,颜色和声音相互回应,同时也回应我们最为私密的无意识,并回应了语言里的幼童体验,以及回应了所有我们能赋予某个声音、某个文字的潜意识内涵。在这块语言的秘密大陆里,香气、颜色和声音相互协调一致,我就称它为“符化态”。一克莉斯蒂娃(J.Kristeva)一种潜在的童年持存于我们身心之中。一巴舍拉(G.Bachelard) There is also an infinite possibility of resorting to the rhythm of “poetic language.” In this process, colors and sounds respond to each other, while also responding to our most intimate unconsciousness, responding to the experiences of young children in the language, and responding to all the subconscious intensions we can give to a voice or a text. In the secret continent of this language, the aroma, the color and the sound are in harmony with each other, and I call it the “symbolic state.” One of J. Kristeva’s hidden childhood lives in us. G.Bachelard