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新语汇的运用是二十世纪前期书论的显著现象,这些新语汇与其时新的话语表述机制的结合不仅反映了语言表达方式上与传统的差异,同时也推动了书法美学的现代性转型。本文通过对形式、情感、时间、空间、抽象这几个重要语汇的讨论和分析,揭示了这种互动发生的基本情形,同时也涉及到语汇及现象背后的思维与观念。
The use of new vocabulary is a notable phenomenon of early 20th century book theory. The combination of these new terms and their new discourse presentation mechanism not only reflects the difference between traditional and traditional language expressions, but also promotes the modern transformation of calligraphy aesthetics. Through the discussion and analysis of the important terms such as form, emotion, time, space and abstraction, this article reveals the basic situation of such interaction and also the thinking and concepts behind the vocabulary and phenomena.