我酷爱戏曲。这些年来,在戏曲创作上下过一些笨功夫,大戏小戏确也写了不少。然而说起来可怜,成功者却寥寥无几。有几出戏虽然可以勉强演出、发表,但也是粗糙得很,相去甚远。象我这样的剧作者,也居然来奢谈什么写戏之法,实在是荒唐之至。然而确也有一腔甘苦之言,倒出来,或许对初学写戏的同行略有补益。写戏,主要是为了演出。没有一个剧作者不希望自己的作品能在舞台上立起来。然而客观事实却很无情,剧作者的作品,包括在刊物上发表的剧作,相当一部分都未能搬上舞台。这除了一些别的原因之外,我觉得还有一条原因,就是剧作者不熟悉剧团,不熟悉舞台,所以这些作品,还不完全具备演出的条件。 I love drama. In these years, I have spent a lot of stupid kung fu in the creation of opera. However speaking poor, few winners. Although a few plays can barely perform, published, but also very rough, far from. It is absurd that the playwright like me actually came to talk about what the dramas are. However, there is indeed a corollary of the words, pour out, perhaps a bit help for beginners to write drama counterparts. Writing, mainly for performance. No playwright does not want his work to stand on the stage. However, the objective facts are very heartless. The dramatists’ work, including the dramas published in journals, have not been able to move onto the stage quite a bit. Apart from some other reasons, I think there is another reason that the dramatists are unfamiliar with the troupes and are not familiar with the stage. Therefore, these works are not yet fully capable of performing.