人们会设想,在文学的“理论”与“实践”之间,必定存在着某种似乎是对等和平均的关系,人们自然早已经厌烦了从这种概念格局当中得出的某些“中庸”的结论,因而认定这其间再也不可能有什么想象不出的新奇话题。因此人们通常的做法是整体抛弃这种理论格局,但这并没有增进我们对于文学问题的理解和认知,并使其保留为一种人们实际上随时会自觉不自觉地陷入其中的、隐蔽的观念圈套和思维陷阱。从而,这里需要的,就似乎是对于这里的观念死结 One would expect that there must have been some kind of relationship between equality and literary “theory” and “practice,” and that people naturally had long since tired of deriving from this conceptual pattern Some “moderate ” conclusions, and therefore finds no stranger to the topic of what can never be imagined. Therefore, it is common practice for people to abandon this theoretical pattern as a whole, but this does not increase our understanding and understanding of literary issues and leaves it as a hidden one that people can in fact consciously and unconsciously fall into anytime. Concept trap and thinking trap. Thus what is needed here seems to be the knot of ideas here