面对传统与创新这么大的命题,像我这样的小、小、小字辈,肯定想不到讲、不敢讲,也讲不清楚。大命题之下,我想同大家探讨的是:在民族戏剧艺术的传统和创新面前,我们当代青年创作者究竟应该秉承怎样的态度。我是“西学中业”的新生代导演,就读于戏剧学院,从业于昆剧团,话剧和昆剧,对于我而言宛如父精母血。于是,欣赏我的人惊喜我性情中“混血儿”的天分,质疑我的人又总觉着我的 The face of such a big proposition of tradition and innovation, like me, small, small generation, certainly can not think of speaking, dare not speak, it is unclear. Under the big proposition, I would like to discuss with yourselves what kind of attitude our contemporary young creators should uphold in the tradition and innovation of the national drama art. I am a new generation of director of “Western Learning”, studying at the Theater Academy, engaged in the Kun Opera Troupe, drama and Kunqu Opera, for me, like a patriarchal mother blood. So, people who admire me surprise in my temperament “biracial ” talent, people who question me and I always feel