奥尔罕·帕慕克的《我的名字叫红》,讲述的是16世纪伊斯坦布尔的细密画艺术遭遇欧洲法兰克人绘画艺术冲击的故事。跨越博斯普鲁斯海峡的大桥,可以看作《红》的故事缩影,也是帕慕克本人形象:不属于任何一边,又横跨两个大陆;不属于任何一种文明,而身居其外两者兼修。帕慕克大部分人生在土耳其度过,却在美国学习文学和写作,他对东方和西方的理解同样深刻。 Orhan Pamuk’s “My name is red,” tells the story of 16th-century Istanbul’s crayon art, which was hit by European Franks art. Bridge across the Bosporus can be seen as a microcosm of the “red” story, but also Pamuk himself: not belong to either side, but also across two continents; does not belong to any kind of civilization, but in its Both outside and repair. Pamuk spent most of his life in Turkey, but in the United States to study literature and writing, his understanding of the East and the West are equally profound.