有民谣说:“杨柳青煞气腾腾,无有金銮殿,有瓦屋几层。”这说的就是砖木石雕精美细腻,室内陈设民情浓厚,素有“津西第一宅”之称的石家大院。石家大院是清末天津“八大家”之一的“尊美堂”石府宅第。石氏家族久居杨柳青,历时已200多年。本文主要从石家大院的传统吉祥图案入手分析,思考如何在当代中国放眼世界的时候,把握自身的民族特色,将传统文化注入现代设计中,创造出富有中国民风的又具时代精神的好的设计作品。从取其形,延其意,传其神三个方面来论述在现代设计中如何延续、传承和创造使用传统吉祥图案。 A ballad said: “Yangliuqing spirits, there is no gold luandian, there are a few layers of tile house.” This is the delicate and delicate brick and stone carving, indoor furnishings strong, known as “Jinxi first house ” said the stone Courtyard. Stone Courtyard is the end of the Qing Dynasty in Tianjin “one of the eight ” one The Shi family lived in Willow Green, which lasted more than 200 years. Based on the traditional auspicious patterns of Shijia Courtyard, this paper analyzes how to grasp the national characteristics of contemporary China and inject traditional culture into modern design to create a time-honored Chinese culture Design work. From the three aspects of taking shape, extending its meaning and passing on the spirit to discuss how to continue, inherit and create and use traditional auspicious patterns in modern design.