在张承志的作品里,叙事的内动力主要来自三个方面:一是在中国北方三大地域(蒙古草原、新疆腹地、甘宁青黄土高原)的漂泊经历;二是在作者心目中割舍不去的革命情结;三是母族长期被迫害、被奴役的残酷现实。这使他的作品有一种持续稳定的、立足边缘和下层群体的叙事对象。因此,尽 In Zhang Chengzhi’s works, the internal motivation of the narrative mainly comes from three aspects: First, the adventures of three major regions in northern China (Mongolian steppe, hinterland of Xinjiang, Gansu Ningxia Loess Plateau); Second, in the author’s mind, give up Go to the revolutionary complex; third, the brutal reality that the motherland has long been persecuted and enslaved. This makes his works have a sustained and stable, based on the marginalized and lower groups of narrative objects. So do it