老子美学观是从道本体中推演出来的。老子予道以人的价值和人生的意味 ,奠定了中国美学的逻辑基点。从道与物的关系上 ,庄子进一步阐释了老子关于道的周而复始的特性 ,明确了主体观照道时所产生的审美心境 ,老庄的道论为道家美学的历史发展奠定了理论基础。得意忘言是道境之美的体现 ,玄学美学是老子之道在美学上的翻版 Laozi’s esthetics concept is deduced from the Taoist entity. Lao Tzu preached the logic of Chinese aesthetics by setting the value of man and the meaning of life. From the relationship between Taoism and Taoism, Chuang Tzu further expounded Lao Tzu ’s characteristics of the cycle of the Tao, clarified the aesthetic state of mind when the subject was contemplating. Taoism of Lao Tzu laid a theoretical foundation for the historical development of Taoist aesthetics. Willing to forget is the embodiment of the beauty of Taoism, metaphysics aesthetics is the aesthetics of the copy of Lao Tzu