绘画问题,说到底是画家如何体现自然的问题,尤其是山水画方面。早在文艺复兴的初期。人们把注意力专门放在人物与建筑的创造方面。直到一个半世纪以后,才产生了充满异教气息的环境,产生了雷奥那多、达·芬奇、米开朗琪罗、拉斐尔等穿插了风景的人物画。但其主要刻画还是局限于人神的风貌。在敦煌早期壁画中也是以佛教人物画为主,正如张颜远在 The problem of painting, after all, is how artists embody the problem of nature, especially in landscape painting. Early in the early Renaissance. People devote their attention exclusively to the creation of characters and buildings. It was not until a century and a half ago that a patriarchal environment had been created that produced landscapes such as Leonardo, Leonardo da Vinci, Michelangelo and Raphael. But its main depiction is still confined to the appearance of people and gods. In the early Dunhuang mural paintings are also based on Buddhist figures, as Zhang Yan far