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最近我参加了“‘彩墨境界’山水画学术展”,对探索山水画色彩的演变形式发展状况和学术成就,展开讨论并进行创作实践。由于过去在山水画创作上太多注重笔墨结构与形式语言的探索,少有把重彩山水作为一项课题专门研究。这次参加“彩墨境界”山水展,也给我出了一个新的课题。但如何能正确理解和把握其精神内涵,重新审视重彩在传统山水画中的价值,是当代中国画画家面临的重大课题。下面就创作重彩山水谈几点肤浅体会
Recently I participated in the “Color Ink State Landscape Painting Academic Exhibition”, to explore the development of landscape color and evolution of academic achievements, to discuss and carry out creative practice. Due to the exploration of brushwork structure and formal language in the past in the creation of landscape painting, there are few studies on the landscape as a topic. This time to participate in “color ink realm” landscape exhibition, but also gave me a new topic. However, how to correctly understand and grasp its spiritual connotation and re-examine the value of the heavy color in traditional landscape painting is a major issue for contemporary Chinese painters. Here’s a few words about the creation of heavy color landscape to experience