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西方女性主义艺术走过风雨飘摇的30年。30年前,相同的地点——布鲁克林美术馆,相同的人物——琳达·诺克林,推出“女性艺术家:1550-1995年代”展,30年后,已是76岁高龄的诺克林和同伴组织了“全球女性主义”展,这是一场大规模的国际现代女性艺术展,有来自50个国家的九十多位艺术家参展,这一事件将在诺克林女性主义艺术运动生涯中画上浓重的一笔。三十余年间,尽管女性主义艺术家们为改变传统的艺术成见而不懈努力,但事实是,到目前为止,女性主义艺术家们仍在为艺术作品正式合法的展示平台及女性主义运动应得的权益而奔走、呐喊。
Western feminist art has gone through precarious 30 years. Thirty years ago, the same place - Brooklyn Museum of Art, the same figure - Linda Noklin, introduced the “Female Artists: 1550-1955” exhibition, 30 years later, is 76 years old Noklin and his companions organized “Global Feminism,” a large-scale exhibition of international women’s contemporary art with more than 90 artists from 50 countries participating in the event, Feminist art movement drawn a thick pen. For more than three decades, feminist artists, despite their persistent attempts to change traditional stereotypes, have so far been the feminist artists who deserve the formal and legitimate platform for the production of works of art and the feminist movement Rights and running, crying.