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赵普光《书话与现代中国文学》将书话这一边缘性文体作为研究对象,以期厘清书话与现代中国文学间复杂而微妙的关系。同时,作者对书话文体持续关注,意识到现代中国文学在文体认知和研究边界上都有不少的误区,进而提出“杂文学”概念,意在打破长期以来文学研究中的狭隘观念。
Zhao Puguang’s “Book and Modern Chinese Literature” takes the marginalized style of writing as its object of study, with a view to clarifying the complex and delicate relationship between the Chinese calligraphy and modern Chinese literature. At the same time, the author has paid close attention to the style of writing and calligraphy, realized that there are many misunderstandings in modern Chinese literature on the cognitive and research boundaries, and then put forward the concept of “miscellaneous literary” in order to break the narrow Concept.