3.弹奏指法不同 前面所说的装饰音,其实与技法是紧密相连的。而配用什么技法,对乐曲旋律的发展以及乐曲内容的表现都很重要。 其一,特殊指法 就《塞上曲》来说,各流派在运用常规技法的同时,都有着其特有的指法。 如“浦东派”的特殊指法之一,“拖”。“拖”有“实拖”与“虚拖”。“实拖”的符号作“——”、“虚拖”的符号写成“-----”,在本曲中,大都用了“虚拖”。这在别的流派中很少见用,它与古琴的绰注进退指法相仿,(它是古琴的主要表现手段之一),琵琶用了“拖”的指法之后,也会带来一种 3. Play fingering Different in front of the decorative tone, in fact, and techniques are closely linked. And with what technique, the development of music melody and the performance of the music content is very important. First, the special fingering As far as “plugging the song” is concerned, each genre has its own unique fingering while using conventional techniques. Such as “Pudong” one of the special fingering, “drag.” “Drag” has “real drag” and “virtual drag.” “Real drag” symbol for “-”, “virtual drag” symbol written “-----” In this song, mostly used “virtual drag.” It is seldom used in any other genre. It is similar to the Guqin method of retreat, which is one of the main performance methods of the guqin. The pipa also brings a