当今书法创作、书法评论、书法研究等领域,日益模糊苍白。从小学生到耄耋老人,不时冒出书法明星、书法官员,产生一个个方生方死的书坛新闻。书法越来越像个大江湖、大酱缸,什么人都可以装进来,鱼龙混杂的乱象令书法发展岌岌可危,以致人们对书法越来越审美疲劳。纵观中国书法史,当今的书法没有形成历史性突破和进展,不能不令人深思。当代书法要 Today’s calligraphy, calligraphy commentary, calligraphy and other fields, increasingly blurred pale. From primary school students to elderly people, from time to time come to calligraphy stars, calligraphy officials, resulting in a square dead square of book news. Calligraphy is more and more like a big arena, the miso tank, what people can come in, dragons mixed chaos so calligraphy development precarious, so that people are more and more aesthetic fatigue calligraphy. Throughout the history of Chinese calligraphy, today’s calligraphy did not form a historic breakthrough and progress, can not be thought-provoking. Contemporary calligraphy wants