论文部分内容阅读
我买了一台DV,从此进入影视拍摄的窄门,这其实是有人引导的。1995年初,我经过一年半的援藏,从拉萨返回昆明。在西藏调查羌姆仪式期间,我疯狂地迷上了摄影,而且积累了大量面具表演的图片资料。次年的某一天,有个女子到云南省社科院来找我。她穿着一件皮夹克,脚登高筒靴,颇有豪侠之气。经自我介绍,才知道她姓刘名晓津,人称晓津,跟日本那个著名的电影导演同名。而且,她也是拍影像的,在云南电视台做编导。晓津其实是中国最早的女性纪录片人之一,经过访谈,
I bought a DV, from the narrow door into the film and television, which is actually someone to guide. In early 1995, after a year and a half of aiding Tibet, I returned to Kunming from Lhasa. During the investigation of the Qiangam ceremony in Tibet, I was fascinated by the photography and accumulated a great deal of pictures of the mask shows. One day the following year, a woman came to me for coming to Yunnan Academy of Social Sciences. She wore a leather jacket, foot boots, quite gallant. By self-introduction, I only know her surnamed Liu Ming Xiaojin, known as Xiaojin, Japan’s famous movie director with the same name. Moreover, she also made video, director of Yunnan TV. Xiaojin is actually one of the earliest female documentaries in China. After interviews,