当代大众文化的兴起的确带来了一个沧桑巨变的时代,并使传统的美学观念面临着一个前所未有的挑战。一方面,美与现实生活的同一,生存快感取代了传统与生活有距离的美感,似乎宣告了一个反美学的时代的来临;另一方面,当代审美文化背后人的心灵的空虚,本身的无聊感和重复感对当代人的侵袭,又意味着神性和诗意的退缩,正在成为当代大众艺术时代美学的一个重要盲区,有待于进行新的 The rise of contemporary popular culture has indeed brought about a vicissitudes era and has confronted the traditional aesthetic concept with an unprecedented challenge. On the one hand, the beauty of the United States and the reality of life, the pleasure of existence, replace the traditional beauty of the distance with life, it seems that the advent of an anti-aesthetics era; the other hand, the contemporary aesthetic culture behind the empty heart, their own boring The sense of touch and repetition affect the contemporary people, which in turn means that divinity and poetic retreat are becoming an important blind spot in the aesthetics of the contemporary mass art era, pending the start of a new