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中国改革开放之后,许多中国当代艺术家并没有特别地把它所代表的变异性记录在作品身上,可是,如果从历史的洪流中来探溯,这个分界点对于中国的社会或是人文历史方面都不能略去不谈。因为,它为中国当代艺术家在未来如何书写个人对土地的情感做了极重要的心理铺垫。或许对大多数的人来说,提到中国当代艺术的发展,总会习惯以“后八九”来作为一个指标性概括,反倒忽略掉这个之前从社会写实主义出发的艺
After China’s reform and opening up, many Chinese contemporary artists did not record the variability it represented in their works. However, if the tracing is made from the torrent of history, this point of demarcation points to both social and cultural history in China Can not ignore it. Because it provides a very important psychological basis for how Chinese contemporary artists write personal feelings about land in the future. Perhaps for most people, referring to the development of Chinese contemporary art, it is always customary to use “post-1989” as an indicator of generalization, while ignoring the previous art of social realism