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当今,文化艺术界有一个非常时髦的词汇,叫作“××现象”。我现在也学着赶一下时髦,谈一谈电视剧创作领域,或者叫作电视文化领域里的“张绍林现象”。一、“张绍林现象”——历史、时代和文化的产物“张绍林现象”,具体地讲就是张绍林和他的创作集体(编剧石零、制片张纪中)。他们在20世纪80年代的中国视坛上出现。并以七年共同创作七部优秀电视剧的优异成绩而异军突起,这绝不是一个偶然的文化现象,它有着深厚的历史、时代和文化的根基。也就是说,它的出现,是历史和时代的必然。首先,“张绍林现象”是时代的产物。在新的历史时期,在改革、开放大潮的冲击之下,许多新鲜的思想、观念和意识,涌入了古老的中国,使得人们的思想获得了极大的解放。当然,也促使时
Today, the cultural arts community has a very fashionable vocabulary, called “XX phenomenon.” I now also learn to catch up with fashion, talk about the field of television drama creation, or television field called “Zhang Shaolin phenomenon.” First, “Zhang Shaolin phenomenon” - the product of history, time and culture “Zhang Shaolin phenomenon”, specifically, is Zhang Shaolin and his creative collective (screenwriter Shizhong, producer Zhang Jizhong). They appeared on the Chinese scene of the 1980s. It is by no means an accidental cultural phenomenon. It has profound historical, contemporary and cultural foundations. In other words, its appearance is inevitable in history and the times. First of all, “Zhang Shaolin phenomenon” is a product of the times. In the new historical period, under the impact of the reform and opening up trend, many fresh ideas, concepts and consciousness poured into the ancient China and made people’s thoughts greatly liberated. Of course, also prompted