“好雨知时节,当春乃发生,随风潜入夜,润物细无声……”“无边落木萧萧下,不尽长江滚滚来”……我国古典诗歌中类似这些脍炙人口的诗歌很多。中学生们在吟诵的同时。经常提出这样的问题:中国古典诗歌中为什么喜欢写春秋的景色?这一现象确很明显,纵观历来为人传诵的古典诗词名作,如《唐诗三百首》《千家诗》等等,属于春秋的名诗,就有《春晓》(孟浩然)、《江南春》(杜牧)、《春望》(杜甫)、《秋兴》(杜甫)等。而属于夏与冬的作品,能称为代表作的,只有自居易的《香山避暑》、柳宗元的《江雪》等,为数甚少,实在难以与前者相提并论。同时,还应注意到:在诗的内容上,春与秋不但与人们的生活联系紧密,而且作为季节本身,在一般性的风 “When rain is in season, when spring occurs, the wind sneak into the night and the moistens things...” “Without the boundless fall of wood, the Yangtze River is not rolling.”... There are many similar poems in our classical poetry. Middle school students are at the same time. This question is often raised: Why do you like to write about the scenery of spring and autumn in Chinese classical poetry? This phenomenon is very obvious. Looking at the classic poems that have traditionally been passed down to people, such as “three hundred poems of the Tang Dynasty” and “a thousand poems”, etc., belong to the Spring and Autumn Period. The famous poems include “Spring Xiao” (Meng Haoran), “Jiang Nanchun” (Du Mu), “Chun Wang” (Du Fu), “Qiu Xing” (Du Fu) and so on. The works that belong to Xia and Dong can be called masterpieces. Only a few of them, such as “Seongg Mountain to Avoid the Heat,” and Liu Zongyuan’s “Jiang Xue,” are very few, and it is difficult to compare them with the former. At the same time, it should also be noted that in the content of poetry, spring and autumn are not only closely related to people’s lives, but also serve as the season itself and the general wind.