两年前,我读过张承志的中篇小说《阿勒克足球》(载《十月》一九八○年第五期),曾被作者对淳朴而犷悍的牧民们深厚的感情所激动,也为作者那象锦缎一样闪着华彩,深沉、腴润的笔致所陶醉,因此留下了很深的印象。最近,我接连读到作者的新作《绿夜》、《大坂》、《老桥》、《黑骏马》,感到作者的创作,正在展开一个新生面。从《黑骏马》入手,探讨一下这位引人注目的文坛新秀的特色和局限,也许 Two years ago, I read Zhang Chengzhi’s novella “Alkhor” (contained in “October”, the fifth issue in 1980) and was deeply influenced by the honest and honest herders Excited, but also for the author, like damask shiny glittering, deep, embellish the pen toxicated, so left a deep impression. Recently, I read the author’s new works “Green Night”, “Osaka”, “Ponte Vecchio”, “Black Horse”, feel the author’s creation, is a new face. From the “Black Horse” to explore the characteristics and limitations of this striking literary rookie, perhaps