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1984年我在北大哲学系进修访学,经常去宗白华先生家里拜望并聆听教诲。在未名湖后湖他昏暗的家中,他对我说:“如果说20世纪30年代是‘开窗’让欧风美雨进入风雨如磐的旧中国,那么20世纪80年代就应该‘开门’,让中国文化走向世界。”他还对和我一起拜访他的美学研究生说:“研究美学,最忌惮的是做空头的纯理论研究,真正有生命的中国美学研究应该将美学研究和中国艺术紧密结合——书法、绘画、
In 1984, I studied at the Philosophy Department of Peking University and often visited and listened to the teachings of Mr. Zong Baihua at home. In his dimly lit home on Lake Minghu, he said to me: ”If the 1930s was a“ window opening, ”the stormy old China moved into Europe, it should be ’opened in the 1980s ’Let the Chinese culture go to the world.’ “He also said to me and his aesthetics graduate student: ” Aesthetics, the most dread is the short pure theoretical research, the real life of Chinese aesthetics should be aesthetics Closely integrated with Chinese art - calligraphy, painting,