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张炜是近年来倍受瞩目的作家,尤其是1986年其长篇小说《古船》的“出航”,在文学界激溅出非比寻常的“惊涛骇浪”,92年的《九月寓言》又一次显示出作家不同凡响的实力:沉著而热烈的思索,独到而细致的艺术表达。张炜是内向、抒情、理想主义的,总是深深关注于人本身,生存的苦难,人性的善恶,崇尚生命的本真状态,在深重的思虑与反观中追索着人类生存与精神的家园。 然而,文本的成立及其价值,不仅在于其追索的向度,而且在于追索在具体的创作情景中有力的展开。无疑,后者的意义更为根本。
Zhang Wei is a writer who has drawn much attention in recent years. Especially in his “Voyage” of the novel “The Old Ship” in 1986, it exploded in the literary world with extraordinary “stormy waves”, 92 years of “September Fables” Once demonstrated the extraordinary writer’s strength: calm and warm thinking, unique and meticulous artistic expression. Zhang Wei is introverted, lyrical and idealistic. He always pays close attention to the human being, the misery of existence, the good and evil of humanity and the true state of life, and hunts for the existence and spirit of human beings in deep consideration and contrast Home. However, the establishment of the text and its value lie not only in the direction of its recourse, but also in the strong development of the recourse in the specific creative scene. Undoubtedly, the meaning of the latter is more fundamental.