在短篇小说创作上盛名累累的林斤澜,却从未占据文学史叙事的重要地位。既往有关林斤澜的研究,多数仍停留在文学批评层面,缺乏从历史角度还原作家生平“本事”与作品命运由来的工作。本文以七、八十年代之交其时、林斤澜“复出”前后的有限史料为根据,尝试解释其自我意识和文学环境对其创作的干预。 Lin Jinlan, a famous artist in short story creation, never occupied an important position in the narrative of literary history. Previous studies on Lin Jinlan still remain at the literary criticism level, lacking the work of restoring the writer’s life “ability ” and the origin of fate of the work from the historical point of view. Based on the limited historical materials before and after Lin Guollan ’s “Comeback”, this article tries to explain the interference of his self - awareness and literary environment in his creation.