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台湾诗人向阳的《十行集》,完成于从故乡、大学校园到军营再到媒体工作环境的十年间转徙,因此这部诗集的空间象征内涵也呈现为从家园到土地到世界这种越来越广阔且越来越抽象的变化趋势,折射出诗人向阳从风物抒情向哲理沉思转变的内在机理。
The Taiwanese poet Xiangyang’s “Tenth Line Set” was completed in ten years of transition from his hometown, university camp to barracks to the working environment of the media. Therefore, the spatial symbolic connotation of this poetic collection also appears as such from homeland to land to the world The broader and more abstract trends of change reflect the intrinsic mechanism by which the poet Xiangyang turns from the lyricism of scenery to the contemplation of philosophy.