目前国内的批评界普遍疲弱和“不景气”,并出现了诗歌批评家不广读当代诗歌(只谈诗人印象及诗坛琐事轶闻)、小说批评家不广读当代小说(只读畅销书,主要精力用于发明新术语)、美术批评家不广看原作(只看印刷品,主要精力用于搬运“洋枪洋炮”)、电影批评家只盯住国际得奖作品(不看国内观众观看的国产电影)的不正常现象,造成这种现状的基本原因大概还是浮躁,而浮躁就是信仰的 At present, critics in our country are generally weak and “downturn”, and poetry critics do not read contemporary poetry (only about the poet’s impression and poetic anecdotes); novels critics do not read contemporary novels (only-read bestsellers, The main energy used to invent new terms), art critics do not see the original (see print, the main energy used to carry “foreign gun artillery”), film critics only focus on international winning entries (do not watch the domestic audience to watch Of the domestic movie) is not normal, causing the basic reason for this status quo is still impetuous, and impetuous is the faith