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法国电影总是在尽力捕捉社会的新面貌,努力满足观众的习惯和品位,因此,被看成是“文化信息的独特催化剂”[1]。法国大众认为“电影首先是一种艺术;尽管技术发展和其他趋势风云变幻,电影的首要任务是保持创造性和文化的实际价值”[1]。影片《触不可及》就是秉承了这种观念。一、触不可及的两种思想的对峙影片中主人公之一:黑人小伙子德瑞斯,他是一个住在贫民窟、被人收养的、因抢劫珠宝店蹲了六个月监狱后,刚刚从大牢中出来、又被伤心的“妈妈”赶出家门的社会最底层人物,他思想单纯,
French films are always trying to capture the new face of society and strive to meet the audience’s habits and tastes. Therefore, it is regarded as a “unique catalyst for cultural information” [1]. The French public believes that “the film is primarily an art; and despite technological developments and other changes in the landscape, the film’s primary mission is to preserve the true value of creativity and culture.” The film “beyond reach” is adhering to this concept. One, the insurmountable confrontation between the two thoughts One of the protagonists in the film: the black guy 德瑞斯, he is a living in the slums, was adopted, after robbing jewelers squatted for six months in prison, just from jail Out in the middle, but also the sad “mom ” out of the house at the bottom of society, he thought simple,