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本文通过分析八大山人的绘画作品中以“象”为载体的“意”的表现,学习和研究中国传统美学中的写意精神,并且指导以后的绘画中写意精神的表现。
By analyzing the expression of “meaning ” with “Xiang ” as its carrier, the thesis studies and studies the freehand spirit in Chinese traditional aesthetics and guides the expression of freehand spirit in later paintings.