看中国评剧院演出的大型原创评剧《母亲》之前,拜读了一剧之本,上面赫然写着几个大字“编剧刘锦云导演张曼君”。刘锦云,人们大都知道他是位话剧作家,他的《狗儿爷涅槃》名噪一时,更有《风月无边》、《阮玲玉》风靡剧坛,却少有人知道他谈论起戏曲名家的表演如数家珍,那些梆子、评剧的一些土得掉渣儿却绝对特有人味儿的唱词在他嘴里倒背如流。张曼君,一个不安分的女 Before looking at the large-scale original Pingju “mother” who performed in China’s Ping An Theater, she read a series of characters, “Zhang Wenjun, director of screenwriter Liu Jinyun.” Liu Jinyun, most people know that he is a drama writer, his “Girlfriend Nirvana” fame, more “boundless”, “Ruan Lingyu” swept the stage, but few people know that he talked about the opera masters like a number of rare, Those princes, critics of some of the soil dregs children are absolutely unique taste of the lyrics back in his mouth. Zhang Manjun, a restless woman