当很多人仍然认为香港舞台艺术是少数人的玩意,郑仕梁毅然放弃七年室内设计生涯,转投舞台布景设计的怀抱,此举是智是愚,仅凭他两年经验便大受赏识并不断成为香港大型歌剧舞台布景负责人,就知道他走对了。 While many people still think Hong Kong’s stage art is the stuff of a few people, Zheng Shiliang decided to abandon his seven-year interior design career and switch to the stage set design embarking on a stupid move. He is greatly appreciated on the basis of his two-year experience and is constantly becoming Hong Kong opera director of the stage set, I knew he was right.