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建国后“十七年文学”批评的主要任务是根据解放区文学经验建立文学审美态度的同一性 ,从而赋予全社会一种新的文学眼光和审美情趣。这时期文学批评的聚焦点在于文学的政治目的、政治功利及其相应的作家创作中的合法性。这种一体化批评格局主要是通过批判文学创作中的“个人主义” ,并通过作家的自我否定和创作上的“反精英”倾向而完成的。确信人的力量可以主宰全部历史发展 ,并以此督促文学不断创造出作为无产阶级文化代表的完美的“新人”形象 ,是“十七年文学”批评的傲慢与偏见。在此意义上 ,对“十七年文学”批评的研究 ,指向对 2 0世纪中国文学中“左”倾文艺思潮和文化观念的反思与检讨
After the founding of the People’s Republic of China, the main task of the criticism of “Seventeen-year Literature” was to establish the identity of literary aesthetic attitude based on the literary experience in the Liberated Areas so as to give the whole society a new literary perspective and aesthetic taste. The focus of literary criticism during this period lies in the political purpose of literature, political utilitarianism and the legitimacy of the corresponding writers. This pattern of integrated criticism is mainly through the criticism of “individualism” in literary creation and through author self-denial and creative “anti-elite” tendencies. It is convinced that human power can dominate all historical developments and as such urges literature to create a perfect “newcomer” as a representative of the proletariat’s culture. It is an arrogance and prejudice in the criticism of “17-year literature.” In this sense, the research on the criticism of “Seventeen-year Literature” points to the reflection and review on the trend of the “Leftist” art and literature and the cultural ideas in Chinese literature in the 20th century