布拉姆斯的d小调《第一钢琴协奏曲》无疑是浪漫主义时期一部重要的协奏曲作品,然而这部作品当时并没有得到人们的承认,反而遭到很多批评。之所以出现这样的情况,有多方面的原因,本文主要从这部协奏曲的审美特性切入,以揭示这部作品的独特之处及其与当时审美趣味的冲突,在具体策略上力图把感性关照和理性反思、协奏曲的结构特性和历史衍变结合在一起。 Brahms’ d minor “Piano One Piano Concerto” is undoubtedly an important piece of concerto in the Romantic period. However, this work was not recognized by people at that time. Instead, it was criticized by many. There are many reasons for this situation, this article mainly from the aesthetic characteristics of this concerto cut in order to reveal the uniqueness of this work and the conflict with the aesthetic taste at the time, in a specific strategy to sentiment care And rational reflection, the structural characteristics of concerto and historical evolution combined.