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从《草民》到《大地之子》,再到后来的《刘小放诗选》,刘小放走的是一条稳定的路子,几乎没有多少动摇。他一直以个人经历为轴心,以普通人的生活为素材,以渤海滩的土地为立足点,通过叙事性方式和朴素的语言,以及个人性情的真实流露,体现出他对一方水土和人群的深切关怀。正是这种向下和向内的视角,使他的诗越走越深,从命运到宿命,从血性到骨骼,从身体到灵魂,其向内的收缩不断深入和强化,触及了人性中最
From “Cao Cao” to “son of the earth,” and then to “Liu Xiaofang’s poetry,” Liu Xiaofang took a steady path with little or no wavering. He has always taken personal experience as the axis, taking the life of ordinary people as the material, taking the land of Bohai Beach as its foothold, demonstrating his true understanding of water and soil of one side and the crowd by means of narrative methods and plain language, Deep concern. It is this downward and inward perspective that makes his poem go deeper and deeper, from fate to fate, from bloody to skeletal, from body to soul, and inwardly shrinks deeper and touches human nature most