我认识马可较晚,但接触马可作品很早。抗战时期就唱着《南泥湾》在敌后参加生产运动,解放战争时期,《白毛女》随着解放军向全国进军而演遍全国。马可是中国新歌剧的主要奠基人之一。我想借此机会谈谈他的歌剧作品。不过今天来谈马可已不可能简单重复过去说过的话,今天有今天的话要说,还应研究他的作品和他的艺术思想对我们今天有什么启示,如何来继承这份遗产。 I knew Mark later, but it was early to contact Mark. During the War of Resistance Against Japan, “Nanniwan” sang into the production movement behind the enemy lines. During the War of Liberation, the “White-Haired Girl” became known throughout the country as the People’s Liberation Army marched to the entire country. Mark is one of the major founders of the new Chinese opera. I would like to take this opportunity to talk about his operetta. However, it is impossible to repeat Mark’s speech in the past today. Today’s speech today should say that we should study how his works and his artistic ideas inspired us today and how to inherit this legacy.